Most of our post-production workflow is Media Composer, Adobe Premiere, After Effects, Photoshop, Cinema 4D, and some Illustrator. With Avid, you can pull all these things together.
JEFF DONEHOO, SUPERVISOR, ROCKIESVISION
Most of our post-production workflow is Media Composer, Adobe Premiere, After Effects, Photoshop, Cinema 4D, and some Illustrator. With Avid, you can pull all these things together.
JEFF DONEHOO, SUPERVISOR, ROCKIESVISION
We keep all our high-res in Avid NEXIS, and it’s reliable. We’re similar to a news station in that we create daily content; we don’t have time to be down.
KEITH HAEBERLE, DIRECTOR OF MEDIA PRODUCTION, MIAMI HEAT
Avid’s impressive AR solutions will increasingly figure prominently in high-profile sporting events like the World Cup. Avid was absolutely brilliant to work with on this project. The team was cooperative, helpful and acted more like a partner than a supplier.
ED TISCHLER, MANAGING DIRECTOR AT GEARHOUSE BROADCAST UK
We needed a graphics partner that could bring our new brand to life on TV and deliver a graphics platform that offers rich and consistent 3D design capabilities. Avid provided exactly that. Not only is the technology flexible and adaptable, but the people at Avid have been fantastic. It has been a very challenging project and Avid have adapted to all the twists and turns along the way.
PAUL BRISTOW, DIRECTOR OF ECM
Belgian public broadcaster, RTBF, adopts Avid's Maestro broadcast graphics solutions to deliver captivating augmented reality graphics to their 2018 World Cup audience.
The speed and efficiency of Avid allows people to get more done. You can just do more with all these new tools. When you have enough space, more search capabilities, and a reliable index it makes it possible for your editors to do more.
ALEX FARMARTINO, COORDINATING PRODUCER