Customer stories

Accessing Media Composer licenses from anywhere

Rent vs. Own: How Rental House QSR Systems Pivoted and Profited

We’re able to now instantly create a Media Composer for a user off-prem, where before they may have had to wait a day or two days to get a license delivered to them.

DOUG CAVALIERE, PRESIDENT & OWNER, QSR SYSTEMS

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edit bay at Saya Post Production

Saya: A Unique Setting for Artisans in Post Production

The idea of Saya is to respect and promote the profession, all the trades of post production. All the investments that were made from the beginning work towards this. Working in an Avid environment isn't a coincidence.

PASCAL BLONDELA, HEAD OF POST PRODUCTION PLANNING AND MONITORING, SAYA POST PRODUCTION

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Philippe Vaidie from France TV

France TV Keeps Production Rolling in Spite of Lockdowns with Edit on Demand

Avid having been there with a solution that worked allowed us to save costs and leap into something that we had planned would take maybe a year and a half or two years—and we did it in five weeks.

SEBASTIAN GRANDSIRE, MANAGING DIRECTOR OF POST PRODUCTION, FRANCE TV

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still from Three Trees from Kansai TV

How Kansai TV Brought Its Visually Immersive 8K HDR Short Film Three Trees to Life

The 8K HDR short film Three Trees makes a memorable impact on viewers with its abstract, poetic world filled with rich, immersive imagery. To create such a challenging piece, Kansai Television's Kazuma Yano, who directed, edited, and color graded Three Trees, turned to Media Composer to handle the entire production workflow, from end to end.

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New Zealand Broadcasting School Student Anchors In-studio Experience

Blue Sky Dreams: Breaking News at New Zealand Broadcasting School

One of the primary reasons we are almost completely Avid now is because that is exactly what our industry has been telling us we should be doing.

TONY SIMONS, MANAGER, NEW ZEALAND BROADCASTING SCHOOL

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TakeOneProd_1862x1040

Evolving Video Technology Creates New Opportunities for Take One Productions

We did our research and asked ,’Is there anybody else in the market doing this?’ And, the answer is, ‘Not reliably’. We decided on the Avid NEXIS | PRO because it’s the right size and it’s scalable. We can link all three Media Composer editing systems together and have all the footage available.

KEVIN MARTORANA, FOUNDER AND PRESIDENT OF TAKE ONE PRODUCTIONS

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