Customer stories

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How to Handle a Massive Post-Production Project? Easy: Cloud Video Editing

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Making the Switch: Editing 9-1-1 with Avid Media Composer’s New Interface

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Accessing Media Composer licenses from anywhere

Rent vs. Own: How Rental House QSR Systems Pivoted and Profited

We’re able to now instantly create a Media Composer for a user off-prem, where before they may have had to wait a day or two days to get a license delivered to them.

DOUG CAVALIERE, PRESIDENT & OWNER, QSR SYSTEMS

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edit bay at Saya Post Production

Saya: A Unique Setting for Artisans in Post Production

The idea of Saya is to respect and promote the profession, all the trades of post production. All the investments that were made from the beginning work towards this. Working in an Avid environment isn't a coincidence.

PASCAL BLONDELA, HEAD OF POST PRODUCTION PLANNING AND MONITORING, SAYA POST PRODUCTION

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Philippe Vaidie from France TV

France TV Keeps Production Rolling in Spite of Lockdowns with Edit on Demand

Avid having been there with a solution that worked allowed us to save costs and leap into something that we had planned would take maybe a year and a half or two years—and we did it in five weeks.

SEBASTIAN GRANDSIRE, MANAGING DIRECTOR OF POST PRODUCTION, FRANCE TV

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still from Three Trees from Kansai TV

How Kansai TV Brought Its Visually Immersive 8K HDR Short Film Three Trees to Life

The 8K HDR short film Three Trees makes a memorable impact on viewers with its abstract, poetic world filled with rich, immersive imagery. To create such a challenging piece, Kansai Television's Kazuma Yano, who directed, edited, and color graded Three Trees, turned to Media Composer to handle the entire production workflow, from end to end.

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