One of the primary reasons we are almost completely Avid now is because that is exactly what our industry has been telling us we should be doing.
TONY SIMONS, MANAGER, NEW ZEALAND BROADCASTING SCHOOL
Blue Sky Dreams: Breaking News at New Zealand Broadcasting School
Evolving Video Technology Creates New Opportunities for Take One Productions
We did our research and asked ,’Is there anybody else in the market doing this?’ And, the answer is, ‘Not reliably’. We decided on the Avid NEXIS | PRO because it’s the right size and it’s scalable. We can link all three Media Composer editing systems together and have all the footage available.
KEVIN MARTORANA, FOUNDER AND PRESIDENT OF TAKE ONE PRODUCTIONS
Debbie Berman Shares an Editor’s Journey
I love working on Avid especially for the really big productions where you'll have 20 crew members sharing the same project and you have something like 500 hours of media. There's no other system that can handle that sort of media management with that number of users.
DEBBIE BERMAN, EDITOR, SPIDER-MAN: HOMECOMING, BLACK PANTHER, CAPTAIN MARVEL
Industrial Media Expands Collaborative Workflows with Avid Shared Storage
The concept of being able to utilize shared storage virtually anywhere we find a talented editor who needs to work from wherever they are located is very exciting. We know we’re going in a great direction and Avid is a huge, huge part of the confidence we have in these decisions.
ERIC TOWLER, VICE PRESIDENT OF POST PRODUCTION, IPC
David Fisher: Finding the Creative Edge
Editing covers a lot of different aspects which I love–first reading the script, getting rushes daily and assembling, working with a director in a fine a cut and then doing producer notes. Throughout these stages, storytelling is the key element, making sure the story is engaging.
DAVID FISHER, EDITOR, DOCTOR WHO, HIS DARK MATERIALS
Building an Epic Career: Christian Siebenherz
Hollywood is not that different from Norway, except the team is a lot bigger and there are more resources at your disposal . . . However, at the end of the day the basics of editing are the same.
CHRISTIAN SIEBENHERZ, EDITOR, THE WAVE AND THE QUAKE