The Avid NEXIS | E5, integrated into our workflow, has positioned us not only to support new workflows but also to embrace future technologies. We’ve also been able to retire some older systems and use a single platform. In the end, it offered the best value for the money.
STUART DYER, OPERATIONS MANAGER, FILMS AT 59
I knew I was going to be a storyteller. In school I was advised to take Avid classes by my Final Cut teacher, because there was more career potential.
MASON CARDEN, SENIOR EDITOR, REAL MONEY
Nothing else beats the price point or the performance of Avid NEXIS.
PAUL HOLDEN, DIRECTOR OF TECHNOLOGY, HIGH NOON ENTERTAINMENT
Every story is unique, and editors are able to drive a story in different ways through timing and shot selection, but the truth must come through.
PHIL BOWMAN, EDITOR, SEE NO EVIL (ARROW MEDIA)
Don’t underestimate really knowing your stuff, especially the tools. Work 100-hour weeks for almost nothing. Be at the right place at right time and have the right skill set and attitude. You need to be prepared to go for it.
Jonathan Wales, chief executive/re-recording mixer, Satellite Post Production
The DNxIQ is awesome because if I have a 24P project that I need to deliver at 60i, it’s just a click of a button in Avid and the DNxIQ takes care of the rest of it.
KATIE GERDON, ONLINE ASSISTANT EDITOR, TRAILBLAZER STUDIOS