Nothing else beats the price point or the performance of Avid NEXIS.
PAUL HOLDEN, DIRECTOR OF TECHNOLOGY, HIGH NOON ENTERTAINMENT
Every story is unique, and editors are able to drive a story in different ways through timing and shot selection, but the truth must come through.
PHIL BOWMAN, EDITOR, SEE NO EVIL (ARROW MEDIA)
Don’t underestimate really knowing your stuff, especially the tools. Work 100-hour weeks for almost nothing. Be at the right place at right time and have the right skill set and attitude. You need to be prepared to go for it.
JONATHAN WALES, CHIEF EXECUTIVE/RE-RECORDING MIXER, SATELLITE POST PRODUCTION
The DNxIQ is awesome because if I have a 24P project that I need to deliver at 60i, it’s just a click of a button in Avid and the DNxIQ takes care of the rest of it.
KATIE GERDON, ONLINE ASSISTANT EDITOR, TRAILBLAZER STUDIOS
The higher bandwidth of Avid NEXIS and Avid’s solid and dependable media management architecture have enabled us to overcome the challenges we were facing with 4K/UHD projects.
MATT EMBRY, PRESIDENT, SPOTLIGHT PRODUCTIONS
Obviously the entire industry works with Pro Tools. Its compatibility between editorial, picture, admin, operations, and mixers is essential – all need to interface seamlessly.
MICHAEL KELLER, RE-RECORDING MIXER