Every story is unique, and editors are able to drive a story in different ways through timing and shot selection, but the truth must come through.
PHIL BOWMAN, EDITOR, SEE NO EVIL (ARROW MEDIA)
Phil Bowman: Meeting the Challenge of Real Stories
Behind the Scenes at the Savannah Film Festival
Don’t underestimate really knowing your stuff, especially the tools. Work 100-hour weeks for almost nothing. Be at the right place at right time and have the right skill set and attitude. You need to be prepared to go for it.
JONATHAN WALES, CHIEF EXECUTIVE/RE-RECORDING MIXER, SATELLITE POST PRODUCTION
Spotlight Productions Puts 4K in the Limelight with Avid NEXIS
The higher bandwidth of Avid NEXIS and Avid’s solid and dependable media management architecture have enabled us to overcome the challenges we were facing with 4K/UHD projects.
MATT EMBRY, PRESIDENT, SPOTLIGHT PRODUCTIONS
IT Editor and Mixer Use Avid Creative Tools to Resurrect a Classic Horror Film
Obviously the entire industry works with Pro Tools. Its compatibility between editorial, picture, admin, operations, and mixers is essential – all need to interface seamlessly.
MICHAEL KELLER, RE-RECORDING MIXER
Scratch Media: Moving at the Speed of Thought
Increasingly, speed is the most important thing. Not only are we doing lots of projects simultaneously, for many different clients, but we have to turn a lot of them very quickly.
MARK SATULOFF, PRODUCER/DIRECTOR & FOUNDER, SCRATCH MEDIA
Avid Workflow Solutions Provide the Backbone to ENVY’s Fast-Growing London Post-Production Facility
From the word go, we’ve always relied on Avid and the MediaCentral Platform to provide us with the very best post workflow solutions. We have a solid relationship with Avid and their constant development of products and tools gives us the very best brand security. Their extensive support network also sets them apart from other providers.
JAI CAVE, HEAD OF OPERATIONS