One of the primary reasons we are almost completely Avid now is because that is exactly what our industry has been telling us we should be doing.
TONY SIMONS, MANAGER, NEW ZEALAND BROADCASTING SCHOOL
One of the primary reasons we are almost completely Avid now is because that is exactly what our industry has been telling us we should be doing.
TONY SIMONS, MANAGER, NEW ZEALAND BROADCASTING SCHOOL
Working on shared storage for editing, grading and finishing has completely changed our workflow. Before we were very limited by the local storage, but now we’re able to access the storage from workstations all over the school. This flexibility, combined with the speed and reliability of the technology, has transformed the editing process for our students.
PETER POSGAARD, TECHNICAL MANAGER AT THE NATIONAL FILM SCHOOL OF DENMARK
Film students will be working and editing their projects in Avid Media Composer and Symphony. We’ll have audio students working in Pro Tools, editing and mixing the sounds: dialog, sound effects and music. And, we’ll bring it all together in the dub stage.
SCOTT DANSBY, DIRECTOR OF INDUSTRY RELATIONS
Don’t underestimate really knowing your stuff, especially the tools. Work 100-hour weeks for almost nothing. Be at the right place at right time and have the right skill set and attitude. You need to be prepared to go for it.
JONATHAN WALES, CHIEF EXECUTIVE/RE-RECORDING MIXER, SATELLITE POST PRODUCTION
当我告诉父母电视真人秀剪辑助理、摄影助理和音频剪辑师的就业率并向他们展示 Avid 认证是谋得这些职位的关键时,他们意识到自己的孩子将来大学毕业之后,能够在致力于优秀剧本的同时,找到谋生之道。
TOBIAS YOSHIMURA,美国海斯堡州立大学媒体研究副教授