Most of our post-production workflow is Media Composer, Adobe Premiere, After Effects, Photoshop, Cinema 4D, and some Illustrator. With Avid, you can pull all these things together.
JEFF DONEHOO, SUPERVISOR, ROCKIESVISION
Colorado Rockies Expand Avid Infrastructure to Future-proof Media Production
Avid Supports New Content Initiatives and Monetization Strategies for Miami HEAT
We keep all our high-res in Avid NEXIS, and it’s reliable. We’re similar to a news station in that we create daily content; we don’t have time to be down.
KEITH HAEBERLE, DIRECTOR OF MEDIA PRODUCTION, MIAMI HEAT
Raycom Sports Teams Up with Avid to Deliver a Multi-faceted Fan Experience
The speed and efficiency of Avid allows people to get more done. You can just do more with all these new tools. When you have enough space, more search capabilities, and a reliable index it makes it possible for your editors to do more.
ALEX FARMARTINO, COORDINATING PRODUCER
SKY Perfect JSAT: Building a World-Class 4K HDR Sports Service
A system designed for a post-HDCAM world.
MASASHI MIZUTANI, BROADCAST OPERATIONS DIVISION, SKY PERFECT JSAT CORPORATION
Golf Channel Hits the Sweet Spot with Pro Tools | HDX
The ability for Pro Tools | HDX to provide direct control of audio and video files stored on our central ISIS server is a major game changer.
SCOTT PERRY, POST PRODUCTION MANAGER, GOLF CHANNEL