Most of our post-production workflow is Media Composer, Adobe Premiere, After Effects, Photoshop, Cinema 4D, and some Illustrator. With Avid, you can pull all these things together.
JEFF DONEHOO, SUPERVISOR, ROCKIESVISION
Most of our post-production workflow is Media Composer, Adobe Premiere, After Effects, Photoshop, Cinema 4D, and some Illustrator. With Avid, you can pull all these things together.
JEFF DONEHOO, SUPERVISOR, ROCKIESVISION
We keep all our high-res in Avid NEXIS, and it’s reliable. We’re similar to a news station in that we create daily content; we don’t have time to be down.
KEITH HAEBERLE, DIRECTOR OF MEDIA PRODUCTION, MIAMI HEAT
The speed and efficiency of Avid allows people to get more done. You can just do more with all these new tools. When you have enough space, more search capabilities, and a reliable index it makes it possible for your editors to do more.
ALEX FARMARTINO, COORDINATING PRODUCER
A system designed for a post-HDCAM world.
MASASHI MIZUTANI, BROADCAST OPERATIONS DIVISION, SKY PERFECT JSAT CORPORATION
The ability for Pro Tools | HDX to provide direct control of audio and video files stored on our central ISIS server is a major game changer.
SCOTT PERRY, POST PRODUCTION MANAGER, GOLF CHANNEL