I use [Sibelius | Ultimate] because I often need to quickly orchestrate pieces for different types of ensembles and levels of performers.
DR. JESSICA RUDMAN, COMPOSER, THEORIST, AND TEACHER
Compose simple scores with up to 4 instrument parts with the free Sibelius | First.
Create scores with unlimited parts and custom layouts with Sibelius | Ultimate.
Whether you’re composing for a live performance, for picture, or for fun, nothing empowers you to write music like Sibelius (formerly the "paid" version of Sibelius | First—learn more) provides the core tools you need to create professional-quality scores easily. The software offers unique features that drive your creativity, make you sound better, and enable you to compose beautifully rendered scores quickly.
With Sibelius | Cloud Sharing, you can share scores to your own personal cloud space, or embed scores in a webpage, and invite anyone to flip through pages and play your compositions using any computer, laptop, or mobile device.
Sibelius enables composers to connect with others in more powerful, efficient, and profitable ways. It seamlessly integrates into any media production workflow, including Pro Tools, to compose music for picture easily. And easily deliver scores to music publishers for worldwide sale.
Sibelius is now available in more ways than ever, making it easy for anyone to write music. Compose, edit, print, and share scores with Sibelius. Work with more advanced notation, arranging, engraving, and layout tools with Sibelius | Ultimate (formerly Sibelius). Or get started with Sibelius | First, a free new version of Sibelius.
I use [Sibelius | Ultimate] because I often need to quickly orchestrate pieces for different types of ensembles and levels of performers.
DR. JESSICA RUDMAN, COMPOSER, THEORIST, AND TEACHER
You can import a MIDI track into Sibelius, and there's your drum part already there, exactly how you played it. That's pretty awesome.
FRED DINKINS, DRUMMER, INSTRUCTOR, MUSIC DIRECTOR
When we’re in the booth singing our part, Driver’s standards are so high that we’ll sing the same four measures ten times to get the right vowel, the right placement, the right dynamics, as close to the final product as possible.
STEPHEN ROSS, COUNTERTENOR AND MUSIC DIRECTOR, FACE VOCAL BAND