For Audio Post

Get incomparable sound, routing, and monitoring

Streamline your facility I/O with a single interface

Pro Tools | MTRX II not only comes with 64 channels of built-in DigiLink I/O, 256 channels of Dante, and 64 channels of MADI, it’s fully modular to accommodate any ADR, Foley, sound design, re-recording, or mixing session. Configure its eight card slots with all the I/O you need—the same option cards as MTRX, plus a new Thunderbolt™ 3 option—replacing multiple I/O, routing, and monitor control interfaces. Route any signal between the various I/O formats. And connect multiple HDX systems and DAWs together with a single interface.

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Head on view of MTRX II
MTRX II base unit
Rear of MTRX II with no option cards or modules installed

Get built-in DigiLink, Dante, and MADI I/O, plus eight slots to add options.

Independent post production
Rear of MTRX II with 8 channel Mic Pre option card, two 8 channel lin output cards, Digilink option card, and Thunderbotl 3 module

Mix and match I/O option cards to support any ADR and/or re-recording workflow.

Theatrical post production
Rear of MTRX II with 8 channel Mic Pre option card, two 8 channel lin output cards, 3 Digilink option cards, AES Option Card, Madi SFP expansion module and Thunderbotl 3 module

Configure MTRX for Dolby Atmos workflows and route audio to multiple Dante and MADI devices.

Get extensive audio routing flexibility

To handle the variety of workflows, gear, formats, and environments post production commands, Pro Tools | MTRX II is the ultimate audio command center. Route, split, and patch audio quickly and extensively using DADman software, with an increased matrix capacity of up to 4,096 x 4,096 cross points. Feed any input to any output, or even send audio to multiple outputs simultaneously, giving you nearly unlimited flexibility and connectivity options.

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Streamline your Dolby Atmos workflow

In conjunction with Pro Tools Ultimate and Pro Tools | HDX, Pro Tools | MTRX II delivers the most comprehensive end-to-end solution for immersive audio, streamlining the entire workflow with less hardware, less complication, and lower costs. Its 512 x 64 summing mixer accommodates a full theatrical Dolby Atmos configuration. Add one or more DigiLink I/O Cards and you can connect a multi-card HDX system—or even a multi-workstation system—to a single MTRX interface. And with the Thunderbolt 3 option, you can route audio to the Dolby Atmos Renderer while maintaining full HDX DSP power.

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Rear of MTRX II focusing on the two network ports for 256 channels of Dante and MTRX II control
Connect to any Dante network

With 256 integrated Dante channels, you can connect your Pro Tools | HDX system to any Dante network—the industry’s preferred audio-over-IP solution. Not only is Ethernet economical—especially where long cable runs are required—it allows for a more versatile workflow that leverages your facility’s Ethernet infrastructure to route audio between multiple rooms and devices.

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Get unparalleled sound quality and clarity

Building on the MTRX legacy, MTRX II delivers the cleanest, most transparent, and highly detailed AD and DA conversion of any audio interface. This enables you to record ultra-high-quality voiceovers, ADR, and Foley in the studio, as well as capture audio on location, and then monitor your soundtrack mix in all its sonic glory through some of the highest quality audio converters in the industry.

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Get unparalleled soud quality and clarity
Take control of MTRX II with EUCON

With the included DADman software, you can remotely control all sources and monitoring directly from Pro Tools Ultimate, Avid S6, and other EUCON-enabled control surfaces. You can also create multiple monitor profiles, making it easy to switch multichannel audio formats for the project at hand, from stereo and 7.1, up to 64-channel Dolby Atmos.

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